17 January-19 April 2015
This exhibition tells the story of the renowned Amsterdam gallery, Collection d’art, which from 1969 to 2004 was home to a broad range of art lovers. With Collection d’art, founder Cora de Vries made people who were known or unknown, friends or passersby, students and critics all part of contemporary developments in art, from realism to inspired geometry and post-war Expressionism, from Co Westerik to Markus Lupertz, from Armando to Karel Appel. As a result, a loyal group of regular visitors and buyers, including several museum directors, quickly formed around Collection d’art. The gallery was a place where fellow art lovers came together in their shared interest and love for contemporary art.
Together with Miente Boellaard-Stheeman, the Cobra Museum presents an exhibition of selected works from the personal collection of Cora and Hans de Vries, with works by Constant, de Kooning, JCJ van der Heijden, Baselitz, Schoonhoven, Armando, Appel, Bogart and many more.
Works from the collection of the Cobra Museum of Modern Art
The CoBrA artists, many of whom had left-wing political leanings following the isolation and divisions inflicted by the war, wanted to create a new form of art that transcended national borders and could assume a central place in society. Cobra artists wanted to produce art that could be understood by everyone, that would speak directly to the individual. To achieve this, they sought to get as close as possible to the underlying core of what it meant to be human. They sought ‘authenticity’, and found something closer to that authenticity in the artistic expressions of children, folk culture and in non-Western societies. In practice, this meant experimenting with ‘a new, spontaneous painterly expression’. In this way, Cobra artists investigated the relationships between drawing, writing and painting. They strove to liberate colour from form. Some of the artists associated with Cobra, including Karel Appel and Asger Jorn, had specific periods when abstraction played a larger role in their work, but there were also artists associated with Cobra who had always leaned more strongly towards abstraction, such as Eugène Brands, Anton Rooskens, Theo Wolvecamp and the Danish artist, Erik Ortvad. It is this field of tension between figuration and abstraction that is central in this presentation with works from the collection of the Cobra Museum of Modern Art