Cobra Museum voor moderne kunst, Museum of modern art

exhibitions

current exhibitions

Afgebeeld:
 
Michelangelo Pistoletto
Autoritratto con occhiali gialli 1973
 
Zofia Kulik
Self Magnificence IIIb 1997
 
Rene Daniels
Komeet 1979
 
Sven Kroner
Lech 2005

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THE HIDDEN PICTURE

Collecting Art at ING
From September 13 on

Het Cobra Museum and ING Art Management have made an exciting and extensive selection from the works in their international collections. More than 50 works show the new face of 40 years of collecting art, including Michelangelo Pistoletto, Ossip Zadkine, Iris van Dongen, Ad Dekker, Piet Mondriaan, Ossip Zadkine, Pyke Koch, Richard Deacon, Carel Willink, Cristian Boltanski, René Daniëls, Roni Horn, Jessica Diamond, Michael Raedecker and many more.

One work deserving special note is the triptych by Jaap Hillenius (1934-1999). This work was specially commissioned in 1987 for the iconic ING headquarters building in Southeast Amsterdam. The architecture was even adapted to give the work the best possible light. This work is now on public view for the first time.

 

ALWAYS ON SHOW

Works from the collection of the Cobra Museum of Modern Art

The CoBrA artists, many of whom had left-wing political leanings following the isolation and divisions inflicted by the war, wanted to create a new form of art that transcended national borders and could assume a central place in society. Cobra artists wanted to produce art that could be understood by everyone, that would speak directly to the individual. To achieve this, they sought to get as close as possible to the underlying core of what it meant to be human. They sought ‘authenticity’, and found something closer to that authenticity in the artistic expressions of children, folk culture and in non-Western societies. In practice, this meant experimenting with ‘a new, spontaneous painterly expression’. In this way, Cobra artists investigated the relationships between drawing, writing and painting. They strove to liberate colour from form. Some of the artists associated with Cobra, including Karel Appel and Asger Jorn, had specific periods when abstraction played a larger role in their work, but there were also artists associated with Cobra who had always leaned more strongly towards abstraction, such as Eugène Brands, Anton Rooskens, Theo Wolvecamp and the Danish artist, Erik Ortvad. It is this field of tension between figuration and abstraction that is central in this presentation with works from the collection of the Cobra Museum of Modern Art

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